Deadmen Walking

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Spisovateľ: Kenyon Sherrilyn
Vydavateľ: Tor
Rok vydania: 2017
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Katalogové číslo: O3753

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Cudzojazyčná / Anglická

To catch evil, it takes evil. Enter Devyl Bane―an ancient dark warlord returned to the human realm as one of the most notorious pirates in the New World. A man of many secrets, Bane makes a pact with Thorn―an immortal charged with securing the worst creations the ancient gods ever released into our world. Those powers have been imprisoned for eons behind enchanted gates ... v angličtine, brožovaná, menší formát, 340 strán

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Aircraft carrier - the majestic weapon

Spisovatel: Macintyre Donald, Ballantine books 1968
Katalogové číslo: N4180

The aircraft carrier, in 1939 mistrusted not only by the more conservative type of naval officer - the majority perhaps of the senior ranks - but by those many fanatics of air power who believed that the shore based aeroplane had made all navies redundant, became, in the course of the war, the dominating factor in naval operations... v angličtine, brožovaná, 160 strán

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Fertility control

Spisovatel: Corson S., Derman R., Tyrer L., Library of congres 1985
Katalogové číslo: O3094

Contents: Special issues in fertility control, Surgical methods, Hormonal maethods, Barriers and vaginal chemical agents, Intrauterine contraception... v angličtine, brožovaná, väčší formát, 344 strán, v knihe pečiatka

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Theatre and humanism in a world of violence

Spisovatel: Herbert Ian, Stefanova Kalina, St. Kliment Ohridski University press 2009
Katalogové číslo: O2469

What makes violence on stage today so sexy? Until quite recently, violence for its own sake was the prerogative of B-feature films and junk mystery novels. What made theatre follow suit? What is the impact of the theatre of violence on the audience? Doesn't it actually make us conformists? Is there still a place for humanism among all the post-modern isms , including post-human or meta-human theatre? What is the relationship between violence and the aesthetics of ugliness? How does theatre stand against the right of might (and the ensuing violence) which has become a norm today on the stage of the world? And how can theatre and critics help preserve humanistic values on and off stage? Should they even try? This book is the first attempt in such a format to answer these hot questions; an overdue endeavour at a time when human life is becoming more and more devalued and human beings more and more disposable... v angličtine, brožovaná, väčší formát, 288 strán