SOE the scientific secrets

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Spisovateľ: Boyce Fredric, Everett Douglas
Vydavateľ: Sutton publishing
Rok vydania: 2004
Stav knihy:
Katalogové číslo: N930

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Cudzojazyčná / Anglická

The history of the Special Operations Executive during the Second World War has been the subject of many books over the past fifty years. Previously secret material has steadily been released but until now there has been no detailed account of the development of equipment and techniques upon which the success of its subversive activities relied. SOE's behind -the -scenes research and development programme ranged from high explosive technology to chemical and biochemical devices; from the techniques of air supply to incendiarism: from camouflage to underwater warfare: and from radio communications to weaponry... v angličtine, brožovaná, 324 strán

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The medical clinic of North America 1/1964

Spisovatel: Kolektív autorov, W. B. Saunders Company 1964
Katalogové číslo: N9263

Diseases of the digestive tract... v angličtine, tvrdá väzba, 251 strán

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Complete Hip and Thigh Diet

Spisovatel: COnley ROsemary, Arrow Books 1990
Katalogové číslo: L7824

I would like to acknowledge with grateful thanks the readers and followers of my first Hip and Thigh Diet who kindly wrote so many wonderful letters telling me of their success on the diet, and to those who so thoughtfully completed questionnaires, giving me a great deal of valuable information... v angličtine, brožovaná, 287 strán, menší formát

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Theatre and humanism in a world of violence

Spisovatel: Herbert Ian, Stefanova Kalina, St. Kliment Ohridski University press 2009
Katalogové číslo: O2469

What makes violence on stage today so sexy? Until quite recently, violence for its own sake was the prerogative of B-feature films and junk mystery novels. What made theatre follow suit? What is the impact of the theatre of violence on the audience? Doesn't it actually make us conformists? Is there still a place for humanism among all the post-modern isms , including post-human or meta-human theatre? What is the relationship between violence and the aesthetics of ugliness? How does theatre stand against the right of might (and the ensuing violence) which has become a norm today on the stage of the world? And how can theatre and critics help preserve humanistic values on and off stage? Should they even try? This book is the first attempt in such a format to answer these hot questions; an overdue endeavour at a time when human life is becoming more and more devalued and human beings more and more disposable... v angličtine, brožovaná, väčší formát, 288 strán