A Clockwork Orange

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Spisovateľ: Burgess Anthony
Vydavateľ: Methuen
Rok vydania: 1998
Stav knihy:
Katalogové číslo: J9759

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Cudzojazyčná / Anglická

Alex and his vicious teenage gang revel in horrific violence, mugging and gang rape. Alex also revels in the music of Beethoven. The gang communicates in a language which is as complicated as their actions. When a drug-fuelled night of fun ends in murder, Alex is finally busted and banged up. He is given a choice- be brainwashed into good citizenship and set free, or face a lifetime inside... v angličtine, brožovaná, cca 70 strán

V kategórii Anglická ďalej doporučujeme

Discipleship

Spisovatel: Watson David, Hodder and stoughton 1985
Katalogové číslo: L1815

Christians in the West', claims David Watson, 'have largely neglected what it means to be a disciple of Christ. The vast majority of western Christians are church-members, pew-fillers, hymn-singers, sermon-tasters, Bible-readers, even born-again believers or Spirit-filled charismatics, but not true disciples of Jesus.'... v angličtine, brožovaná, menší formát,286 strán

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The Binding Chair

Spisovatel: Harrison Kathryn, Fourth estate 2000
Katalogové číslo: K9620

In poised and elegant prose, Kathryn Harrison weaves a stunning story of women, travel, and flight; of love, revenge, and fear; of the search for home and the need to escape it. Set in alluring Shanghai at the turn of the century, The Binding Chair intertwines the destinies of a Chinese woman determined to forget her past and a Western girl focused on the promises of the future... v angličtine, brožovaná, 312 strán

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Theatre and humanism in a world of violence

Spisovatel: Herbert Ian, Stefanova Kalina, St. Kliment Ohridski University press 2009
Katalogové číslo: O2469

What makes violence on stage today so sexy? Until quite recently, violence for its own sake was the prerogative of B-feature films and junk mystery novels. What made theatre follow suit? What is the impact of the theatre of violence on the audience? Doesn't it actually make us conformists? Is there still a place for humanism among all the post-modern isms , including post-human or meta-human theatre? What is the relationship between violence and the aesthetics of ugliness? How does theatre stand against the right of might (and the ensuing violence) which has become a norm today on the stage of the world? And how can theatre and critics help preserve humanistic values on and off stage? Should they even try? This book is the first attempt in such a format to answer these hot questions; an overdue endeavour at a time when human life is becoming more and more devalued and human beings more and more disposable... v angličtine, brožovaná, väčší formát, 288 strán