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Persons and periods

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Spisovateľ: Cole G. D. H.
Vydavateľ: Pelican books
Rok vydania: 1945
Stav knihy: 
Katalogové číslo: L1521
Kategória v ktorej je kniha zaradená:
Persons and periods is a collection of essays and studies dealing mainly with social change in England in the eighteenth and early nineteenth centuries... v angličtine, brožovaná, menší formát, väzba prelepená lepiacou páskou, 173 strán,
V kategórii Anglická ďalej doporučujeme
People like us
Spisovatel: Delderfield R.F. , Coronet books 1971
Katalogové číslo: L5592
i have never been persuaded that history was made in the tents of the mighty. Social development, that most of us recognize as progress, together with the trends of thought and emotion that ultimately become the policy of a nation, have their origin in far less exalted places, the towns and villages of the governed whence they filter through to leaders standing in the spotlight... v angličtine, brožovaná, 470 strán, menší formát
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Sarah, plain and tall
Spisovatel: MacLachlan Patricia, Walker Books 1997
Katalogové číslo: L1841
This Newbery Medal–winning book is the first of five books in Patricia MacLachlan's chapter book series about the Witting family. Set in the late nineteenth century and told from young Anna's point of view, Sarah, Plain and Tall tells the story of how Sarah Elisabeth Wheaton comes from Maine to the prairie to answer Papa's advertisement for a wife and mother... v angličtine, brožovaná, 80 strán
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Theatre and humanism in a world of violence
Spisovatel: Herbert Ian, Stefanova Kalina, St. Kliment Ohridski University press 2009
Katalogové číslo: O2469
What makes violence on stage today so sexy? Until quite recently, violence for its own sake was the prerogative of B-feature films and junk mystery novels. What made theatre follow suit? What is the impact of the theatre of violence on the audience? Doesn't it actually make us conformists? Is there still a place for humanism among all the post-modern isms , including post-human or meta-human theatre? What is the relationship between violence and the aesthetics of ugliness? How does theatre stand against the right of might (and the ensuing violence) which has become a norm today on the stage of the world? And how can theatre and critics help preserve humanistic values on and off stage? Should they even try? This book is the first attempt in such a format to answer these hot questions; an overdue endeavour at a time when human life is becoming more and more devalued and human beings more and more disposable... v angličtine, brožovaná, väčší formát, 288 strán
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