The World Rapers

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Spisovateľ: Black Jonathan
Vydavateľ: Mayflower
Rok vydania: 1975
Stav knihy:
Katalogové číslo: G9384

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Cudzojazyčná / Anglická

"Rapers" follows the rise and fall of Jemel "Jimmy" Karami, a brilliant and utterly amoral Lebanese businessman. The plot tells two converging stories - Jimmy's ascension to power, and the desperate plan he concocts to hold his place as the mideast crumbles beneath him. Though mideastern, Karami is not Moslem - he's Christian Lebanese, and he's spent much of his life away from home, he's less a fixture of "le oriente" than the avarice of global commerce. The story opens in the late 1960's - with Jimmy's position brought to the brink by a Beirut banking crisis in late 1966. The "Six-Day War" only exacerbates the situation for Karami, who lives by making constant deals bankrolled by deposits in his Beirut bank.... malý formát, brožovaná, v angličtine, 464 strán

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British National Formulary 1974-76

Spisovatel: Kolektív autorov, Hazel, Watson & Viney ?
Katalogové číslo: J9969

The B.N.F. consists mainly of (a) a list of preparations of drugs; (b) notes on these drugs for prescribing doctors; and (c) a small miscellaneous sections... v angličtine, tvrdá väzba, bez obalu, 398 strán,menší formát

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The medical clinic of North America 1/1964

Spisovatel: Kolektív autorov, W. B. Saunders Company 1964
Katalogové číslo: N9263

Diseases of the digestive tract... v angličtine, tvrdá väzba, 251 strán

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Theatre and humanism in a world of violence

Spisovatel: Herbert Ian, Stefanova Kalina, St. Kliment Ohridski University press 2009
Katalogové číslo: O2469

What makes violence on stage today so sexy? Until quite recently, violence for its own sake was the prerogative of B-feature films and junk mystery novels. What made theatre follow suit? What is the impact of the theatre of violence on the audience? Doesn't it actually make us conformists? Is there still a place for humanism among all the post-modern isms , including post-human or meta-human theatre? What is the relationship between violence and the aesthetics of ugliness? How does theatre stand against the right of might (and the ensuing violence) which has become a norm today on the stage of the world? And how can theatre and critics help preserve humanistic values on and off stage? Should they even try? This book is the first attempt in such a format to answer these hot questions; an overdue endeavour at a time when human life is becoming more and more devalued and human beings more and more disposable... v angličtine, brožovaná, väčší formát, 288 strán