The American Prison Business

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Spisovateľ: Mitford Jessica
Vydavateľ: Penguin Books
Rok vydania: 1977
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Katalogové číslo: L5594

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Cudzojazyčná / Anglická

Jessica Mitford was born in 1917. She was Distinguished Professor at the San José State University in California from 1973 to 1974. Her many publications include Hons and Rebels(1960), The American Way of Death(1963) and The Trial of Dr Spock(1969). JEssica Mitford is married, has two children and now lives in California... v angličtine, brožovaná, 329 strán, menší formát

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In Search of Myths and Monsters

Spisovatel: Landsburg Alan, Corgi books 1977
Katalogové číslo: L6512

With Foreword by Leonard Nimoy. Where had he come from? They backtracked him on the north slope, which was covered with deep snow because it recieved little sun. Cronin worked his way down beside the tracks for several hundred yards... the visitor had evidently strode up that declivity; his prints seemed to come from over the edge of the earth, up out of the valley far below. He must have been as strong as a gorilla, or stronger... v angličtine, brožovaná, 205 strán, menší formát

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Persons and periods

Spisovatel: Cole G. D. H., Pelican books 1945
Katalogové číslo: L1521

Persons and periods is a collection of essays and studies dealing mainly with social change in England in the eighteenth and early nineteenth centuries... v angličtine, brožovaná, menší formát, väzba prelepená lepiacou páskou, 173 strán,

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Theatre and humanism in a world of violence

Spisovatel: Herbert Ian, Stefanova Kalina, St. Kliment Ohridski University press 2009
Katalogové číslo: O2469

What makes violence on stage today so sexy? Until quite recently, violence for its own sake was the prerogative of B-feature films and junk mystery novels. What made theatre follow suit? What is the impact of the theatre of violence on the audience? Doesn't it actually make us conformists? Is there still a place for humanism among all the post-modern isms , including post-human or meta-human theatre? What is the relationship between violence and the aesthetics of ugliness? How does theatre stand against the right of might (and the ensuing violence) which has become a norm today on the stage of the world? And how can theatre and critics help preserve humanistic values on and off stage? Should they even try? This book is the first attempt in such a format to answer these hot questions; an overdue endeavour at a time when human life is becoming more and more devalued and human beings more and more disposable... v angličtine, brožovaná, väčší formát, 288 strán