The Final Hour

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Spisovateľ: Caldwell Taylor
Vydavateľ: Fontana/Collins
Rok vydania: 1973
Stav knihy:
Katalogové číslo: L5790

Kategória v ktorej je kniha zaradená:

Cudzojazyčná / Anglická

Taylor Caldwell, an Englishwoman by birth, has lived in America since 1906 when her family emigrated to New York State. After many years of research, writing it launched her on a spectacularly successful writing career... v angličtine, brožovaná, 608 strán, menší formát

V kategórii Anglická ďalej doporučujeme

The Grand Sophy

Spisovatel: Heyer Georgette, William Heinemann Limited 1950
Katalogové číslo: L3702

When the redoubtable Sir Horace Stanton-Lacy is ordered to South America on Diplomatic Business he parks his only daughter Sophy with his sister's family, the Ombersleys, in Berkeley Square...v angličtine, tvrdá väzba, obal poškodený, 348 strán

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Rod Machado´s private pilot workbook

Spisovatel: Machado Rod, Aviation speakers bureau 2001
Katalogové číslo: L4088

This valuable one-stop workbook contains: 1,811 FAA Private Pilot Knowledge Exam and general aviation knowledge questions, Questions organized to follow the layout of Rod Machado´s private pilot handbook, Numerous weight-and-balance, performance, and flight planning problems, Color navigation charts, An FAA approved, Part 141 ground training syllabus for use in an FAA approved Part 141 ground school... v angličtine, brožovaná, väčší formát,

Stav knihy:

kúpiť€14,90 (0 Kč)
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Theatre and humanism in a world of violence

Spisovatel: Herbert Ian, Stefanova Kalina, St. Kliment Ohridski University press 2009
Katalogové číslo: O2469

What makes violence on stage today so sexy? Until quite recently, violence for its own sake was the prerogative of B-feature films and junk mystery novels. What made theatre follow suit? What is the impact of the theatre of violence on the audience? Doesn't it actually make us conformists? Is there still a place for humanism among all the post-modern isms , including post-human or meta-human theatre? What is the relationship between violence and the aesthetics of ugliness? How does theatre stand against the right of might (and the ensuing violence) which has become a norm today on the stage of the world? And how can theatre and critics help preserve humanistic values on and off stage? Should they even try? This book is the first attempt in such a format to answer these hot questions; an overdue endeavour at a time when human life is becoming more and more devalued and human beings more and more disposable... v angličtine, brožovaná, väčší formát, 288 strán