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Arundel

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Spisovateľ: Roberts Kenneth
Vydavateľ: Crest Book
Rok vydania: 1963
Stav knihy: 
Katalogové číslo: L6363
Kategória v ktorej je kniha zaradená:
Having no wish to pose as a man of letters, but earnestly desiring to see justice done, I, Steven Nason, of the town of Arundel, in the country of York and the province of Maine, herein set down the truth, as I saw it, of certain occurrences connected in various ways with this neighborhood... v angličtine, brožovaná, 494 strán, menší formát
V kategórii Anglická ďalej doporučujeme
George Thomas, Mr. Speaker
Spisovatel: Thomas George, Arrow books 1985
Katalogové číslo: L1619
George Thomas, a minerś son from Tonypandy, was elected Speaker of the House of Commons in 1976, the year of Harold Wilson´s resignation as Prime Minister and Jeremy thorpeś as leader of the Liberal Party. Mr Speaker gives a fascinating inside glimpse of the Labour leaders in office, and the book has been the subject of much controversy since its hardcovr publication in 1985... v angličtine, brožovaná, 242 strán
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The Peacock king and other stories
Spisovatel: D´alnoy Madame, Orbis 1985
Katalogové číslo: L2207
Z obsahu: Prince Ariel, The Peacock king, The golden branch, The good little mouse, Charlotte cinders, Felicity, Babette... v angličtine, obal, tvrdá väzba, veľký formát, 184 strán, ilustroval Albín Brunovský
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Theatre and humanism in a world of violence
Spisovatel: Herbert Ian, Stefanova Kalina, St. Kliment Ohridski University press 2009
Katalogové číslo: O2469
What makes violence on stage today so sexy? Until quite recently, violence for its own sake was the prerogative of B-feature films and junk mystery novels. What made theatre follow suit? What is the impact of the theatre of violence on the audience? Doesn't it actually make us conformists? Is there still a place for humanism among all the post-modern isms , including post-human or meta-human theatre? What is the relationship between violence and the aesthetics of ugliness? How does theatre stand against the right of might (and the ensuing violence) which has become a norm today on the stage of the world? And how can theatre and critics help preserve humanistic values on and off stage? Should they even try? This book is the first attempt in such a format to answer these hot questions; an overdue endeavour at a time when human life is becoming more and more devalued and human beings more and more disposable... v angličtine, brožovaná, väčší formát, 288 strán
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