The Destruction of Dresden

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Spisovateľ: Irving David
Vydavateľ: Corgi books
Rok vydania: 1966
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Katalogové číslo: L6688

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Cudzojazyčná / Anglická

On the night of February 13th, 1945, the ancient city of Dresden was bombed with incendiary and high-explosive bombs. Unlike most of the air raids on German targets at this stage of the war, the bombing force was carrying a high percentage of incendiaries - 650,000 were in the bomb racks and S.B. containers of the bombers.. v angličtine, 286 strán, brožovaná, menší formát

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Discover October 2010

Spisovatel: Kolektív autorov, Kalmbach 2010
Katalogové číslo: L4613

Special Anniversary Issue Discover Expanding your universe. Contents: The greatest ideas in science, Visions of 2040, Predictions gone wrong, The quest for eternal life, How the world will end, 1980-2010 Thirty years that changed everything...v angličtine, brožovaná, veľký formát, 96 strán

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The Secret of the Sahara: Kufara

Spisovatel: Forbes Rosita, Penguin Books 1937
Katalogové číslo: J9970

The spirit of the story changes with the mood and the method of its development. It was written in so many odd ways at so many odd times- under a scented sage- bush in the sunset while the slaves were putting up our tent, or huddled inside a flea-bag when the nights were very cold... v angličtine, tvrdá väzba, bez obalu, 280 strán, menší formát

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Theatre and humanism in a world of violence

Spisovatel: Herbert Ian, Stefanova Kalina, St. Kliment Ohridski University press 2009
Katalogové číslo: O2469

What makes violence on stage today so sexy? Until quite recently, violence for its own sake was the prerogative of B-feature films and junk mystery novels. What made theatre follow suit? What is the impact of the theatre of violence on the audience? Doesn't it actually make us conformists? Is there still a place for humanism among all the post-modern isms , including post-human or meta-human theatre? What is the relationship between violence and the aesthetics of ugliness? How does theatre stand against the right of might (and the ensuing violence) which has become a norm today on the stage of the world? And how can theatre and critics help preserve humanistic values on and off stage? Should they even try? This book is the first attempt in such a format to answer these hot questions; an overdue endeavour at a time when human life is becoming more and more devalued and human beings more and more disposable... v angličtine, brožovaná, väčší formát, 288 strán