On the night of the seventh moon

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Spisovateľ: Holt Victoria
Vydavateľ: Doubleday and company
Rok vydania: 1972
Stav knihy:
Katalogové číslo: N4990

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Cudzojazyčná / Anglická

Helena Trant was enchanted by everything she found in the Black Forest -- especially its legends. But then, on the Night of the Seventh Moon, she started to live one of them, and the enchantment turned suddenly into a terrifying nightmare... v angličtine, obal, tvrdá väzba, 352 strán

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Spisovatel: Buckeridge Anthony, Collins 1965
Katalogové číslo: L4310

Fossilized fish-hooks! ‘We must have a headquarters, where we can meet and work out clues and things. We might even put up a notice so that chaps will know where to come when they want mysteries solved. Something like Linbury Court Detective Agency – Chief Investigator, J C T Jennings...v angličtine, tvrdá väzba, bez obalu, 255 strán

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The beginnings of the modern serbian state 1804-2004

Spisovatel: Stojančevic Vladimir, ? 2003
Katalogové číslo: M8981

The book was compiled on the occasion of 200th anniversary of the First Serbian Uprising... The basic tendency of its develpoment was to become independent of Turkish rule on a larger scale and on a broader basis, firstly of the dahija´s and then imperial rule... v angličtine a ruštine, obal, tvrdá väzba, veľký formát, náklad 1000 ks, 276 strán, kniha v púzdre

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Theatre and humanism in a world of violence

Spisovatel: Herbert Ian, Stefanova Kalina, St. Kliment Ohridski University press 2009
Katalogové číslo: O2469

What makes violence on stage today so sexy? Until quite recently, violence for its own sake was the prerogative of B-feature films and junk mystery novels. What made theatre follow suit? What is the impact of the theatre of violence on the audience? Doesn't it actually make us conformists? Is there still a place for humanism among all the post-modern isms , including post-human or meta-human theatre? What is the relationship between violence and the aesthetics of ugliness? How does theatre stand against the right of might (and the ensuing violence) which has become a norm today on the stage of the world? And how can theatre and critics help preserve humanistic values on and off stage? Should they even try? This book is the first attempt in such a format to answer these hot questions; an overdue endeavour at a time when human life is becoming more and more devalued and human beings more and more disposable... v angličtine, brožovaná, väčší formát, 288 strán